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Frying tonight. Madrid tapas tour
San Sebastian may have all the headlines when it comes to food, but Madrid can still make the grade. And when you get tired of tapas, there’s the museums and art to graze on. With Gastronomica Madrid 2013 now in full effect, Nick Harman hit the city streets to see what’s on offer.
Do you like football? Do you like tapas? Then you’ll love Puerta 57 in Madrid. Pass through the busy Barra Cibeles, redolent of garlic and the after shave of well-dressed Madrilenos, into the Salón Madrid and you’re gazing down at the floodlit ground of the Real Madrid stadium. Way down there epic matches have been fought and the sainted feet of Beckham once regularly twinkled over the hallowed turf. Up here your only struggle is to decide which of the premier league tapas on offer to put in the back of the net next.
I ate a Russian salad that would have made Lenin turn capitalist and plump prawns robed in a delicate web of dry, crispy batter. A plate of cutely shirt button sized clams, briefly steamed open, drenched in garlic, butter and oil and whisked over to diners from a stove just ten feet away, were sweet and nutty. I could have stayed all night.
But the essence of tapas is to taste and move on and so fuelled by Rioja it was off to La Dorada. A seafood place (a dorada is a sea bream) with an ancient wooden bar running deep into the gloom at the back, it has a more informal vibe. The fact that it couldn’t be further from the sea, Madrid being pretty much in the dead center of Spain, doesn’t stop the fish here being first class.
Whitebait, or possibly fresh anchovies, came in light batter and in heavy profusion together with seared cubes of dogfish, or rock salmon as we sometimes call it in the UK. It’s a relative of the shark (the barman resorted to miming Jaws to explain this) and fried it has pleasingly solid texture, almost like monkfish. A plate of fried eggs slipped on top of matchstick sized battered and fried fish was my favourite here, the egg broken as soon as the plate landed so as to ooze out into the fried fish and make a delicious mess.
Io restaurant was next, my progress now a little slower owing to the amount of fried food I’d taken on board, not to mention all that Rioja. Deep in the financial zone of Madrid, Io looks the part – smart, shiny, sleek and modern and with a bouncer on the door. ‘No I’m not!’ corrected the hombre, ‘I look after people’s cars as the parking’s a nightmare around here.’
The tapas at Io are advertised as modern; meatballs arrive on dinky white mini-plates along with delicate croquetas of jamon and salt cod with a bath of mayonnaise for them to be plunged into. A little lacking in atmosphere in the evening, Io is probably livelier at lunch when the local businesses pop in.
I swung by the Mercado San Miguel in the old town, built in 1916 this was once one of the city’s main covered market places but today it’s been refurbished to be a more modern home of tapas bars and food shops. The original cast iron pillars soar up to support a roof of wooden planks and its location near to Madrid’s main square makes it popular at all times.
There are over 30 food stallsand a great cookbook shop here by day, but at night the tapas bars spill out to occupy any spare space. It’s crowded all the way up to closing time and like our own Borough Market it’s a bit touristy and pricey, but for at least an hour you can happily wander about, shoving through the good-natured crowds and grabbing a bite here and a booze there.
And finally to Estado Puro. Based in a hotel, this is nowhere as bad as that might suggest. The decor is designery and it’s convenient for a post Prado museum stop. They do a modern tapas menu here, but for me the mussel ‘meatball’ went too far and hit the gag reflex. The chef is ex El Bulli, so that means some creative ideas are on offer. Sliders were overly salty, but then you shouldn’t really go to Madrid to eat that kind of stuff anyway. Much better was ‘21st century tortilla’ which came surprisingly in a glass, the potato foamed on top of a runny yolk with some fried onion. You had to down it one and, tasty though it was, I began to get that familiar Fat Duck/El Bulli sense of queasiness coming on, although I suppose after four hours, lots of fried food and big glasses of red wine, it may not have been entirely the tortilla’s fault.
And so to bed, barely scratching the surface of Madrid’s food offerings, and regretting rather the Spanish people’s seeming suicidal disdain for green vegetables in favour of meat and fried things. But then who doesn’t like fried things, and let’s face it you can always eat salad tomorrow!
Madrid’s Gastronomica festival ‘for the five senses’ runs from 19 January to 3 February offering tapas routes with a signature tapas and a bottle of local beer for €3, as well as selected restaurants serving special set price menus at € 25 and €40. There are also six selected ‘super’ restaurants at €75, one of them being cheffed by our own Simon Rogan from L’Enclume.
The full Madrid Gastronomica programme can be seen here.
Puerta 57, Estadio Santiago Bernabeu, Madrid. Access from Gate 57 in Calle Padre Damián
La Dorada, Orense 64, Madrid, SpainIo, Calle Manuel de Falla 28036 Madrid
Mercado San Miguel, Plaza San Miguel, Madrid, S Open until 10 p.m. Monday to Wednesday and until 2 a.m. Thursday to Saturday
Io, Calle Manuel de Falla 28036 Madrid
Estado Puro, Plaza de Canovas del Castillo, 4, Madrid, (Centro, Cortes / Plaza Santa Ana)
Spanish Tourist OfficePO Box 4009London , W1A 6NB
Nuovo Mondo: Modern Italian Food. Stefano De Pieri and Jim McDougall
Pity the poor Italian chef, he doesn’t get the recognition he deserves. Day after day he pumps out great food that is wolfed down by happy patrons but does the Michelin inspector come calling? Does he heck as like.
Italian food is many things but it is rarely pretty on the plate. Packed with flavour, seasonal and local it may be, but no one ever really pointed their Canon Blogmatic at a plate of pasta. But wait.
Nuovo Mondo is a collaboration between Stefano de Pieri, Italian originally of course, and Jim McDougall who was born an Aussie. Together they set out to create dishes that break moulds. Stefano admits he is a conservative chef, marinaded in tradition. Jim, once his apprentice, is brimming with new ideas and together they set out to surprise each other, to create new dishes together and argue amicably in pursuit of the exciting.
The results are seldom complicated but they are visually arresting and read like a dream. You can clearly see the Italian DNA in every dish, but Aussie ingredients, irreverancy and desire for brightness and colour are also clearly there.
Fried bread with a parmesan mousse, potato terrine with anchovy and rosemary, crudo of tuna with frozen white balsamic, cucumber, lime and caviar. And these are literally just for starters.
Mains continue to surprise with duck meatballs and farfalle in a broth, truffle macaroni and cheese, crayfish ravioli with Yuzu butter, the last one of many recipes that bring in the flavours familiar in Australia, less so in Italy. Yabby tails in saffron sauce, braised chicory and fregola seems to meld the two food cultures perfectly while there is still room for Stefano’s Rabbit Papardelle with Sage and Speck and Jim’s deconstructed Tiramisu.
You don’t have to be based in Australia as these two chefs are, to make the recipes. We have it all here in the UK, even if we may have to get some things in jars or frozen. What we can really enjoy is Italian food that is very different to just about anything being served in the country right now.
{ISBN:1742703828}
Down on the farm, a visit to Denhay, creators of classic cheddar and brilliant bacon
More quiche? I don’t mind if I do and perhaps some Dorset Ale? Wonderful. As lunches go this one is pretty near perfect, eaten seated beside a snugly warm Aga in a cosy old farmhouse kitchen while the West Country rain comes down in ropes.
The farm is Denhay Farm and you’ve no doubt seen the name on packs of bacon and cheese in Waitrose. Far from being an advertising invention, like the rather creepy Aunt Bessie or avuncular Mr Kipling, it really is a genuine farm and one that’s belonged in the same family since the 1950s, the latest descendants of the Streatfields having just cooked our quiche. Read more…
Keep taking the tablets -the QOOQ on test
QOOQ, it’s not easy to pronounce, it sounds like you’re violently clearing your throat. ‘It’s Cook actually,’ explains one of the team at QOOQ HQ in Paris as he demonstrates the device. ‘In French Q is a K sound’. Ah well that explains it. Shame no one in marketing thought that one through, though.
Anyway, it is indeed as he says a very French product with software and the physical device proudly made in that country. What is it? Well it’s a tablet, like an iPad or Surface or any of the other must-have devices we see flooding the stores. Unlike them though this is a focussed device, focussed on cooking. Read more…
From deer to here
‘No, I didn’t lose my little finger in a butchery related incident.’ says Chris chef and also butcher at The Pig & Butcher, Islington catching the direction of my gaze and pausing his heavy cleaver in mid-air. ‘I fell down the stairs a few years ago. A stupid accident.’ It’s reassuring to hear because as Will repeatedly thumps down the cleaver small bits of Bambi go flying, some towards me, and I don’t want a stray digit spoiling my day.
He’s busy butchering a Sika, or spotted deer, on site at his meat suppliers, Chart Farm in Sevenoaks. Here the deer are bred for the table and when their time comes, humanely shot. ‘It’s quick,’ says Chris,’ they’re shot in the fields where they live and they don’t know what hit them.’ Indeed as the soft-nosed bullets are supersonic, the shot deer wouldn’t hear the bang, even if the rifles didn’t already use noise suppressors. Read more…
The roof’s the limit. We go up to Skymarket.
We’re all going a bit bonkers for street food right now, but what about roof food? Nick Harman thinks he may be in on the ground floor of a brand new trend.
The wind buffets SkyMarket, five floors up over Tooley Street, and a large red chili tumbles off its shelf and rolls over to lie beside a fast growing puddle on the deck. The rain lashes down, occasionally finding its way in, and the sky fades to deepest black. In a few hours SkyMarket will open for the evening’s business and the chefs are prepping hard, oblivious to the wind and rain outside and positively basking in the warmth of the cooking range and the heat lamps.
A small lift at the base of Magdalen House brings you up to Skyroom, an award-winning roof construction created by David Konn. It looks jerry-built but is in fact sturdy and secure and it’s a kitchen, bar, deli, art and craft gallery and performance space all on one rooftop.
Julian Bayuni is one of the creators of Platterform the company behind SkyMarket, along with Kevin Darcy. Originally both mixologists at Momo where they first met, Julian went on to manage West London’s Notting Hill Arts Club and worked in the Netherlands with The Fabulous Shaker Boys. Together they’ve created plenty of cool pop ups and Platterform itself picked up a Young British Foodies ‘Best Food Experience’ award earlier this year.
‘Platterform suggests what we do as a brand and events company – large plates of food and a platform for ideas, bringing together creative energy, chefs, mixologists, artists, musicians and performers,’ Julian explains. ‘Two years we worked a pop up at Hel Yes! during the 2010 London Design Week just off the City Road and that gave us our initial impetus. I’m used to working in the food world, but this is about more creative ideas and techniques for food and drinks. We want it to be fun and accessible and not intimidate people, but we want to challenge the traditional constructs of what people expect from a drinking or dining experience.’
It certainly does that. When you walk out the lift and feel the wind gust you’re already a bit on the back foot but then a vibe familiar to anyone that’s ever been to Camden Market, or a traveller encampment, embraces you. It’s multisensory with four different musical sounds going on around and a wealth of aromas, some from the satay bar perched dizzyingly out over the drop and some from the range where the main dishes are being cooked.
It’s a local, family thing. Julian, who is half Indonesian and from a restaurant running family, even has his stepfather cooking some days, while meat and vegetables come from local suppliers like Maltby Street along with ethical foods such as jams being made in people’s kitchens from fruit that would otherwise go to waste. In season vegetables also come from the nearby St Mungo’s of Melior Street project and the market up here sells a mix of exciting spices and other stuff you won’t find in Tesco’s.’
‘We have six chefs in the team, two are Jamie Oliver trained at 15 and are doing a contemporary take on African and Caribbean dishes,’ Julian says as tables are set up. ‘The dishes are added to each week and they really suit the environment; we can’t seriously expect people to sit down for five courses on a rooftop so we keep a casual street food/tapas thing going along with the market vibe. This week has been Indonesian and Caribbean, next week we’ll be adding some Brazilian dishes. And our SkyMarket Bar takes inspiration from the changing food menu with the bartenders creating bespoke cocktails designed to complement the dishes.’
Nuno Mendes of Viajante is a friend they hope will get involved via his Loft Project, and Gok Wan’s been in a few times too. ‘He’s a family guy,’ laughs Justin. ‘He loves this place because it’s a family unit, my mum’s British, my dad’s Indonesian so I think Gok sees the similarities to his own life. He even got my mum into hotel GB for lunch with Gordon!’
Evolving, and almost literally moving, all the time SkyMarket is a concept they hope to take to other spaces like railway arches. And more rooftops? ‘We’re certainly looking around,’ says Justin as I start to make my way down.
Open cooking class or presentation every Tuesday lunchtime between 12pm- 4pm
Experiential drinks brand events including workshops and masterclasses will take place every Tuesday evening at 6.30pm
The Skyroom, 5th Floor Magdalen House, 148 Tooley Street SE1 2TU
info@platterform.com
Ashdown Park Hotel.Foraging and finding luxury.
With a flourish the waiters whip off the cloches to reveal the meal beneath, a sight not seen in London since barrage balloons wobbled in the sky and Evelyn Waugh wobbled out of Whites. You can only imagine what some metropolitan critics would make of this; gleefully sharpen their pencils in preparation for stabbing the restaurant through the heart, no doubt.
Things are done differently in the country though, they hunt things, they kill and mostly eat the things they hunt, they are comfortable with corduroy and welly boots and mud. Here at Ashdown Park Hotel and Country Club part of the same Elite Hotels Group as The Grand Eastbourne. some things are still done pretty much as they would have been done thirty years ago.
The hotel is, as are so many, a converted country house but it’s a converted convent really. In the 1920s an already pretty large place was bought and added to by rich nuns, grand wings sprouted from both sides and a chapel was tacked on. Then came a spell as an American ‘university’, then a training college for a major high street bank. Finally, around 1993, it became a hotel, club and spa.
It’s size means our journey from reception to suite takes forever; the endless fire doors that encumber each and every corridor making it seem longer. The suite’s smart though; a double aspect sitting room looking out onto rolling downs and a lively fountain. This and a large bedroom furnished with genteelly distressed furniture makes it feel like we were spending the night at Downton as family guests of the perennially sad Earl. Only the flat screen TVs in each room break the spell.
We’re here for the annual Sunday mushroom foraging and lunch, but on this Saturday evening it’s also a chance to try the restaurant too, so we yomp the corridors, descend the wonderfully creaky grand staircase and enter the 2 AA Rosette restaurant; Anderida.
Except I don’t. Sir is wearing neither tie nor jacket and is swiftly intercepted. “I told you!’ hisses the wife. The Maitre d’ is good about it, he produces a jacket, ‘carry it over your arm,’ he advises, ‘then hang it on the back of your chair.’ Am I enraged by this? No I am just a bit embarrassed as, after all, it was clearly stated beforehand both on the website and in the room. I am not an iconoclast and when in Rome, or when in East Sussex, one does what the Romans do.
Like the cloches, this is a hangover from a better age, one when a gentleman did not need to be told to dress properly for dinner. It may make trendy young, and not so young, Londoners choke over their napkins made from kitchen roll, but from the look of the packed restaurant with its heavy drapes, warm candlelight and tinkling piano, it doesn’t upset anyone else.
The food looks the part, once cloches are removed. Head Chef, Andrew Wilson is not serving dinner from the dark ages and my Supreme of Local Partridge, Leg Croquette, Creamed Parsnip, Potato Terrine (complete with authentically crunchy bits of shot), is well-cooked and presented with bags of flavour. This was good as the starter of Sweet and Sour Duck Terrine, Crispy Won Ton and Pineapple Textures had read well but lacked sufficient seasoning and distinct tastes. P’s Salmon and King Prawn Filo Parcels, Fennel Purée, Aioli could have had the power turned up too, especially on the aioli, but her 38 Day Aged Fillet of Beef Wellington from Lamberhurst, with Dauphinoise Potatoes, Roasted Shallots, Aubergine Purée was very good, suggesting chef works best when he works using good local produce.
Off to enormous bed we went then next day down to a breakfast looking out onto the vast grounds and golf course. We have mushrooms with our full English, just in case, then boot up for the coming search under the expert guidance of groundskeepers and mushroomologists.
It’s fun. The secret of ‘shrooming is to keep your expectations as low as your gaze. Adults and small children alike rummage cheerfully around the ferns and foliage as we wander in a group through bosky woodland, grassland and lakeside.
Mushrooms are found but at best are inedible, at worst dangerous. ‘Dinner or death’ our guide cheerfully remarks. The weather has not been kind this year but remains of the sought-after cepes can still be seen, a clue that it mostly depends on luck, although many mushroom hunters hunt by the phases of the moon.
Surreal site of the day is a herd of Llamas who wander over to to flick their funny ears at us, but thankfully not spit as they often tend to do. They look like aliens in the English countryside, a cross between camels and sheep, yet really rather sweet and endearing.
A pleasant hour or two passes as we walk and chat and listen to our expert guides. Then it’s back to the hotel for the grandgourmet mushroom lunch in the old chapel, our boots shucked off and most of us are secretly only in our socks under the linen laden tables.
Beneath a luminous fried duck egg and walnut oil is a thick carpet of mixed wild mushrooms on toast, a brunchy starter. The mush are slippery and varied, each with its own distinct flavour and breaking the egg and letting it puddle through creates a tasty mess.
Next pot roasted ox cheek with mushrooms en croute and a truffle and parsnip puree. Some find the cheek too gelatinous for comfort, must be Londoners we snidely remark. The meat is tumbling to the fork, the truffle puree not too assertive. Then a suitably classic steamed orange and ginger sponge pudding with clotted cream ice cream and an almond tuile leaves us puffing in our chairs. And with coffee it was check out and car time.
The problem with these country house hotels is that as you return to London the increasing density of housing is depressing after the aristocratic acres. How, you wonder, can we live in such tiny places.
It may be all wrong for some that these grand houses were created in the first place, but they served society as a small world of employment, status and self-respect for all who lived and worked in them.
Now as leisure machines they do much the same thing, but in Ashdonw Park’s case, happily under cloches.
Ashdown Park Hotel Ashdown Park, Wych Cross, Forest Row, RH18 5Jwww.ashdownpark.com
Roast restaurant
The Floral Hall, Stoney Street London SE1 1TL www.roast-restaurant.com
It’s been at least five years since I went to Roast. The pace of openings since then has become so fast, so furious, the keen diner need never go to the same place twice. Miss one restaurant’s hyped up, hysterical launch? Don’t worry there’ll be three more along in a minute.
Since my last visit the area around Roast has evolved. Massive building works have changed much of the area’s character but the approach to the restaurant’s lift, past the market shutting for the night, the drifting cabbage leaves and the spray from the pressure hoses cleaning down the wet fish stall, is still oddly romantic.
I remember the lift, I remember there was always a bit of a wait for it. Why? It only serves one floor after all. The lift finally arrives and it has a dwarf in it, no not a dwarf but one of those middle-class small boys with too-long, too much hair. He’s been playing about, no doubt to the benign amusement of his parents. I get in a light blow to his head while reaching for the buttons and return his aggrieved look with a cheery smile. No doubt he’ll tell mummy and daddy about how he met an evil Tory in the lift. Read more…
The Art of Pasta
The art of pasta for me is mostly getting it al dente. Many’s the time I’ve airily told our guests, ‘This is how we like our pasta cooked, I hope you do too,’ knowing full well that it’s over/under cooked and simply trying to make guests feel they may be wrong to like it any other way.
This book has higher ambitions. Lucio’s restaurant in Sydney likes pasta, likes art and likes to mash the two together. So here you have 160 very good-looking recipes accompanied by artwork from Luke Sciberras and photography by Anson Smart.
You know the book means business because it comes shrink wrapped to ensure no one lays a passata stained finger on its pages before you do, as well as boasting a tasteful cotton page marker.
Head chef Lucio Galletto has written the book, with David Dale and Executive Chef at Lucio’s Logan Campbell. Together they set out to reinterpret classic pasta dishes and push some boundaries with new ones.
You get Lucio’s signature pesto, a ‘sauce’ he reckons is the best in the world as well as the lively Calabrian pesto, plus carby treats such as beetroot ravioli with poppy seeds and melted butter, and linguine with orange pesto and aubergine. Good to see ‘guitar’ maccheroni from Abruzzo which I once ate actually in Abruzzo and still have fond memories of.Then there’s rabbit cannelloni with Jerusalem artichoke sauce and beetroot gnocchi with pancetta and goat’s cheese too.
Simply laid out – fresh pasta, dried pasta, filled pasta, baked pasta, and gnocchi – along with a quick lesson in pasta making, the book makes you stop and drool rather a lot as it ambles through the seasons from light spring dishes with asparagus to classic winter warmers like a fool proof ragu.
It’s a delicious book, an answer to anyone that thinks pasta is boring. It makes you want to fly down to Sydney to try Lucio’s award-winning food at source, but this is the next best thing.
There is definitely an art to pasta because, while it can never aspire to or want to be ‘fancy’ food with intricate cooking and presentation, getting a great pasta dish onto the table means the art of mixing simple yet fantastic ingredients and, of course, carefully watching that boiling water.
{ISBN:1908117427}









































